Tuesday, November 11, 2014

The Crux

Why do I do it?

Why do I put up with the traffic, the summer heat, the constant packing and unpacking, the change in venues, the need to change my setup, the early mornings, the growing costs to be a vendor/artist, the exhaustion post-events, the feeling of disappointment when people look at my bookmarks but refuse to look at my books, the discomfort when someone tries to talk down my prices, the outrage when I see that same person pull out a fifty for some pre-fab goods? Why put up with all this 

The crux of all this frustration is that I do it because I want to.

I want to write.

The changing landscape in authorship today, particularly for indie authors, is that we do not get the luxury of sitting back and relaxing once our book is finished. In fact, despite the hundreds (if not thousands) of hours spent working on it, get a book published is merely step one. That is partly why, when people ask me how to become a writer, I look at them sternly and say, finish your rough/first draft. Because is step one is 'getting published' then the steps leading up do that are similar to negative numbers. Or perhaps, I think back to my days studying aikido and how my sensei described getting a belt... every color led to black, but getting a first degree black belt was like starting at zero. Only once I had one of those would I be ready to actually start understanding the fighting style. In the same way, only once a person is published is she/he able to begin to understand that his/her work has just begun. 

Getting published is the first step. Getting readers to buy your book is the second. 

That's it. Only two steps. But just as step one is the result of sincere dedication and hard work, step two is a process that doesn't end the day you turn in your finished manuscript. Instead, that's when your grass roots campaign begins and you find yourself at multiple events, packing and unpacking, lugging tables, agonizing over displays, and dressing up in an attempt to become relevant and convince that one reader to buy your masterpiece. All while juggling other jobs, family obligations, friend activities, and that new book you're itching to start.

But you do it anyway, exhaustion and all, but writing is what you live for. It is, quite simply, what you do. However, in today's writer's market, it cannot be all you do. 

That essential fact is the crux of it. If I must write, then I must also be willing to work to sell my writing, as dictated by the current demands of the market.

If that sounds challenging, just remember this: you made it through step one, which means you're halfway there. Don't stop now.

Thursday, October 30, 2014

Obsessive Editing


Editing. Oh editing, why must I love and hate you equally? Or perhaps, hate is to strong a word. Abhor? Avoid?
Honestly, I really and truly do enjoy the editing process. It is a necessary and vital part to any writer's process, one that really does tighten and mold a story into its best shape. But somehow, I find it very hard to stay motivated to continuing editing. Part of that is because I'm a very fast editor. And since I know I get through many pages quickly in a day, I often find myself procrastinating instead of getting through my set work for the day and switching to other projects. 
But the other part of editing that distracts me is the research. I'll start looking up, say, different types of guns that might fit a certain section, and then end up several hours later going back to my story because I've been reading all sorts of interesting articles. And then the pressure mounts and I get uber-focused and voila! Editing is done.
Then I collapse on bed and get ready to do it all again the next day.
Another aspect of editing is that I find myself getting obsessive. I won't want to clean or cook or buy gas or groceries. Instead, I slip into every stereotype of a crazy author and refuse to live until the editing is complete...
BUT I cannot let myself turn into a hermit. I cannot let the editing process take over my life until I emerge blinking into the light of day a few seasons from now.
Come to think of it, I'm the same when when I'm getting near the ending of a first draft... 
What I continue to learn about the writing process is that I adore it more and more, but I must also constantly work at fine-tuning it to fit the changing needs of my life. And I need to always remember that free time is more than worth the mental health it returns.
Alas, I must finish this blog. My book is waiting... the editing... the editing!!

Excerpt from   Evriskon: Future Lost

THEN

When I wake, my chest is tight with an unknown pressure. My entire body aches, and I do not understand why. I try to remember, but there is only blankness.
Who am I? I think silently.
Dena.
Another name occurs to me, but I refuse to let the word form. To distract myself, I open my eyes.
But I do not understand any of what I see.
The pressure on my chest pushes against me as I try to take in a deep breath. I try to see what it is, but there is nothing. It is then that I realize that it is the air itself that is thin, elusive. It is what is oppressing me.
My head throbs in the glare and I close my eyes to seek relief. I roll over and the throbbing goes down a notch. Face down, I open my eyes again. It is as before. Nothing makes sense.
The ground is blue. Blue earth. Blue dirt. Grass appears to grow in spiraling tufts, but it is white.
Maybe it’s dead.
But when I reach to touch it, it is soft. Alive.
Suddenly, understanding who I am is not as important as where I am.
I slowly push myself to my knees, fighting dizziness. My eyes squint as I look around me. Understanding is slow to come. But when I look up, I see why the glare is so harsh.
Two suns…
Then I remember… 
-------------------------------------------------------ŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸ
Running. Flashes of lights. That incessant buzz, throbbing in my skull, burning against my skin.
They are close.
But I know I can escape. I believe it, fiercely, until I run into a wall. A wall built of dead bodies.
I will hide there.
But then I sense movement, a scurrying somewhere around the bodies. Insects? Roaches? Maggots? I try to steel myself to approach closer, but I see a tiny glint.
It is worse than I thought.
Tiny machines waiting within the mound to catch those trying to hide.
Machine logic. Humans trying to play dead would find such a place naturally appealing. A perfect place for a trap. And for a machine, there is a twofold benefit – no need to collect our bodies for later disposal. We’re already in place.
I stop, searching for a way around, but the only spaces for me to run are those from which I just came. I turn around, straining my eyes for some side alley, some open door. Anything.
But my time runs out.
Flashing lights of searching drones and hybrids round the corner. I want to cower down, but know that is a child’s choice. A foolish belief that I will get saved. There is no one else. I can only save myself.
Or if I can’t save myself, then I can at least face my death head on. Not bravely, not fighting. Just simply at peace.
The decision made, all tension leaves me. All fear. I can now see the helmeted figure of a hybrid leading a group towards me. Unwilling to let my last sight be that of a soulless, Nexus-controlled machine, I look up into the sky. To the end, I will choose my path.
The stars catch my gaze. Despite the fires raging in parts of the city and smoke from distant gunfire, the sky is partly clear. The stars beckon. I stare, recognizing the constellation Cygnus. Hadn’t some habitable planet been found, just before the Takeover?
Yes, there. Somewhere by that star near the swan’s head.
I close my eyes.
That will be my last sight.
A new world, one free of our genocide.
The buzz of the machines is closer. My eyes stay closed as I wish. I imagine myself forming a hole, a portal to step through. Energy surges. From within me, from around me – I don’t know. Perhaps I am dying. But I spend that final moment pouring every ounce of energy out into that last desire. A name slips from between my lips.
I am gone…
----------------------------------------------------ŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸŸ
My eyes blink in the glare.
Two suns. My final wish. And somehow… somehow I am here.
A few months before, I shifted myself. I didn’t understand what happened, or how I was suddenly in another place. Was it magic?
No, I can’t believe in that. I don’t want to believe that. It must be some unexplained science, some new ability in my brain based on a physics mankind had yet to understand. Or so I hope.
I’ve been cautiously experimenting with shifting myself from place to place, evading the hybrids and drones of the Nexus. But shifting is exhausting. Which is why, when I was running through the remains of the outskirts of Bristol, my ability to shift had already been drained.
Then I remember the energy surging around me. My own? Or from somewhere - or someone - else.
“How?”
My voice sounds flat in the thin air, and I dismiss my worry for how I shifted and am alive on another planet. Instead, I change my focus on how to stay alive. There is air, though it is thin. But I need water. I still have a few squished protein bars in my pockets, but I know they will soon run out.
To live, I need permanent sources of sustenance.
Then it hits me.
I escaped. I’m free.
But I cannot celebrate, because I am completely alone. When my life ends, so, too, does the last remnant of free humankind.
This is the moment I realize…
I must return.

Monday, October 13, 2014

Ah, Sweet Suprise!

As I started to approach my word count goal for the first draft of my next book, I noticed something both exhilarating and worrying. I was exhilarated by the story and the many nuances the characters were showing me, by the way the plot was developing, by how quickly the words were coming.
But I found myself becoming disconcerted as I realized one inescapable fact: I was only close to finishing part one. Well, I told myself, that's just going to become two-thirds of the book. But how could two-thirds of a book equal part one? So I decided I would just find a natural breaking point a little earlier, and break the book into three parts. After all, I'd already done that with two of my other books. Why not with this one? But as I searched page after page, I saw that there was no natural breaking point. Fine. Then I'll write one. But that didn't work. The ideas just kept sealing together. I couldn't even figure out how to add in more POVs to what I already had.
All of which meant one thing: part one really had to be that long. And if part one equaled my estimate of what I thought the entire book would be, then there was only one choice left... write two books.
Though I unintentionally wrote a sequel to my first zombie book, I hadn't actually planned to write any series other than my long-planned trilogy of trilogy (which I plan to start releasing in 2015). After talking it over with a few good friends, the conclusion was obvious. I was on a tight deadline and needed to get the first draft done by a rapidly approaching date. There just wasn't enough time to write the equivalent of part one's length. Sure, I'd have to add some material to the second book to make it longer, but ideas immediately started coming to me for that, signaling that I'd made the right decision.
But what about the title? I whined. I'd picked it forever ago. How could I change it? Or add a totally new one? Would it still apply to the first half of the story? Then it hit me. Subtitles!! Yes, that's the way to go.
Looking back, I realize that the biggest lesson I learned was to be flexible. Okay, I already knew that, but it was a huge surprise to realize I was writing a much longer story that I'd originally planned. So it wasn't just about being flexible with the story or the characters, but with the writing process itself. I didn't (and still don't) want to write a second book - it was SO NOT in the plan for next year. Or the year after. But I owe it to the my readers and myself to write the best story possible. If that means longer, then so be it.
So here is another excerpt from my newly rebranded book,

EVRÍSKON: FUTURE LOST


DENA

When I finally awoke, my first thought was that I’d somehow ended up in the same place I’d just been dreaming about. But as I gazed blearily up at the sky, I knew it wasn’t the same one from the memories. The air, too, felt normal, which meant I wasn’t on another planet. Or at least, wasn’t on the only other one I’d ever been to.
With that thought, images began rushing through my head of my final moments before unconsciousness. Getting fired upon… Kean shooting out the lights… reaching the node… a voice… familiar voice…
“No!”
My voice sounded cracked in the still air as my eyes shot wide open. I tried to scramble into a sitting position, but my body had trouble obeying, my limbs weak. It was the worst electrical backlash I’d ever felt. Part of me wondered if I should’ve survived it.
Just then, Amma came into view with Tasoula.
“Mama!”
Tasoula launched herself at me, her round, perfect face alight with joy.
“Baby girl!”
I hugged her tightly, smiling with relief to see her obviously in good health.
“Mama, you were sleeping a long time. You missed our fight.”
Her words jerked me out of the sweetness of enjoying a simple moment with her, returning me immediately to my responsibilities. I pushed her back gently and looked up into her guileless face. Still so pure and innocent despite all she’d been through.
“Fight? Sweet oblivion, how long was I sleeping?”
Amma settled down on the ground next to me.
“You sleep almost three days. We think,” she added belatedly.
“Three days! But… and what do you mean, you think?”
“There’s no sun, Mama. Just clouds.”
Just clouds… were we still on Earth? I glanced around – trees, grass, rocks. Everything looked like it belonged on Earth, though it was brown and sickly-looking.
Where were we?
“Oy thought oy ‘eard ye!”
Kean emerged from around the corner of the boulder at which I was apparently situated, gun held laxly in his hands, a wide smile on his face. I smiled up at him in return, grateful to see him also in apparent good health. He walked up to where we were gathered and squatted next to me.
“Been sleeping on the job, eh?”
We laughed at the old joke, but movement caught my eye as another figure emerged from behind the boulder. I looked over, confused at the extra person. He was dressed in all black, the material in better shape than any I’d seen in a long time. My eyes traveled upwards, noticing the excellent musculature. My gaze settled on the face, on the red glare shining from deep inside the pupil.
“Kill it!” I whispered. Then again, louder. “Kill it!”
Kean glanced behind himself then turned back to me.
“Dena, wait –”
“Kill IT!” I screamed, struggling to move away, get away from the thing approaching us. Why wasn’t anyone else doing anything?
“Run Tasoula! Kean, your gun! Kill it!”
The thing kept walking towards us. Desperate, I tried grabbing the gun out of Kean’s hands.
“Kill –”
“Dena, wait!” Kean gripped the gun, keeping me from drawing it. I tried to stand, but Amma and Kean pushed me down. Frantic, I thrashed against them. Kean wrapped his arms around me. Though not particularly big, he was strong enough to hold me down as the other moved closer.
“Dena, listen, listen –”
“No! No, you don’t… understand…”
The exhausted weakness I’d felt upon waking returned. I started to slip into unconsciousness.
“Dena, it’s okay.”
Amma spoke up.
“This one is safe, child.”
Desperately, I tried to make them understand.
“No, he… it… kill…”
My world went black.